Crime Novels: Thrillers from the 1960s Part 1
Readers begin to ask the question — what happens when your job is crime? What happens when people decide to make money ‘the easy way’?
S. Hargrave
S. Hargrave is a Canadian writer and the book reviewer at Old Paper & Cats. Hargrave has a love of rare, antiquarian, and classic literature, works in translation, and cats.
Crime Novels American Noir of the 1950s
Here we are moving away from looming dread of war and toward the disillusionment of what was waiting for those that returned from overseas.
Crime Novels of the 1930s and 1940s
For July, I’m going to take a deep dive into American crime noir novels from the 1930s to 1960s, give them a bit of context, and maybe mention a film or two along the way.
The Only Problem
While The Only Problem thankfully took a lot less time to read than Anna Hastings, I didn’t like it all that much. On the whole, I found it a novel that was just very un-Muriel-Spark.
Anna Hastings
It actually is a mean-spirited and sexist statement about women in traditionally male roles, positing that when women are working, they are inherently not fulfilling their assigned role in society and apparently everything crumbles around them.
Eve’s Hollywood
A collection of shorter pieces, and longer prose, all of the writing is connected by Babitz’s love for Southern California’s most famous city and its environs.
Byron’s Travels
I won’t spoil it for those of you who don’t know Byron’s reputation or just what shocking and scandalous shenanigans he got up to, but it was enough that his literary contemporaries were all talking about it.
Free Love & Reminiscences of a Student’s Life
This week I’m going to review two McNally selections from earlier this year, both of which are delightful non-fiction reads that I wouldn’t have necessarily chosen off the shelf.
Ex-Wife
Patricia is not broken by her divorce; instead, she uses it as opportunity to live life on her terms and to determine what it is she wants out of herself and out of a partner. She is a complex character that has a lot to say and also displays a range of emotions that are sometimes contradictory in a very human way.
Short Letter, Long Farewell
Short Letter, Long Farewell is heavily influenced by film noir. The plot does not drive forward in a straight line, but the one element that does provide consistent momentum is the narrator’s attempts to escape his ex-wife.